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Home » ‘Climate of fear’ grips live music as MPs demand market dominance investigation – UK Times
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‘Climate of fear’ grips live music as MPs demand market dominance investigation – UK Times

By uk-times.com24 May 2026No Comments4 Mins Read
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‘Climate of fear’ grips live music as MPs demand market dominance investigation – UK Times
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MPs have voiced significant alarm over a “climate of fear” pervading the live music industry, urging a comprehensive investigation into potential market dominance within the sector.

A new report from the Business and Trade Committee specifically calls on the Competition and Markets Authority (CMA) to scrutinise the industry, highlighting compelling evidence concerning ticketing giant Live Nation.

The committee’s findings reveal Live Nation directly controlled a substantial 58 per cent of the 23.1 million primary tickets sold last year. This figure escalates to 66 per cent when sales managed by its affiliate companies are factored in, underscoring the company’s significant market presence.

A particularly troubling aspect for MPs was the widespread reluctance of individuals to provide evidence openly. Many contributors to the report insisted on anonymity, fearing repercussions for speaking out.

Olivia Rodrigo performing on the Pyramid Stage during the Glastonbury Festival at Worthy Farm in Somerset
Olivia Rodrigo performing on the Pyramid Stage during the Glastonbury Festival at Worthy Farm in Somerset (PA)

Committee chair Liam Byrne stated: “What particularly alarmed the committee was not just the scale of Live Nation’s market position across promotion, venues and ticketing, but the climate of fear we encountered during this inquiry. A striking number of submissions requested anonymity because people were worried about the consequences of speaking openly. That alone raises profound questions about the health of competition in the market.”

Further concerns raised include the lack of implementation of an industry-led levy on arena and stadium tickets, intended to support the grassroots music sector. This failure has been widely attributed to Live Nation’s non-compliance.

The report also details Live Nation’s use of long-term agreements featuring restrictive exclusivity clauses, which reportedly make access to its venues conditional on participation in its festivals, or vice versa. This practice, the committee suggests, encourages artists to consolidate their touring plans with the company, thereby limiting opportunities for rival promoters and events.

The report follows a recent CMA investigation into Ticketmaster, a subsidiary of Live Nation, regarding its sale of Oasis tickets in 2024. That probe found Ticketmaster failed to inform fans in queues that standing tickets were being sold at two different prices, and that prices would increase once cheaper options were exhausted.

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Mr Byrne, the MP for Birmingham Hodge Hill and Solihull North, emphasised the UK’s live music scene as “one of our great national success stories” but stressed that the inquiry’s evidence raised questions about “whether competition in the industry is now working fairly for fans, artists, venues and independent promoters.”

He concluded: “The CMA should now launch a full market investigation, before the end of this year, so there can be proper scrutiny of whether consumers, artists and independent businesses are getting a fair deal.”

Tickets for Oasis’s comeback 2025 comeback tour were the subject of an official investigation
Tickets for Oasis’s comeback 2025 comeback tour were the subject of an official investigation (The Canadian Press)

In response, a Government spokesperson affirmed: “Everyone deserves a fair chance to see their favourite artists live, which is why vendors are required by law to be transparent about their ticket prices. We have also strengthened the CMA’s powers to ensure it can investigate and take action against businesses that breach competition and consumer law.”

A CMA spokesperson added that they are “giving active and careful consideration to undertaking markets work in this area.”

However, a Live Nation UK spokesperson countered the claims, asserting: “This report misrepresents the UK live music industry by relying on inaccurate data and unsupported conclusions. Live Nation competes every day for tours, venues and artists in a highly competitive market. We will engage constructively with any process that benefits artists, fans and the wider industry, but debate about the sector must be based on evidence, not allegation and hearsay.”

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