- Valued at £750,000, the sculpture is recognised to be of outstanding artistic quality
- Export bar is to allow time for a UK gallery or institution to acquire the sculpture for the nation
An export bar has been placed on Michael Rysbrack’s sculpture of two ‘putti’ supporting a column to allow time for a UK buyer to be found.
The sculpture was crafted to be one of a pair of chimney pieces, possibly for the grand Bedford House in London. Standing over a metre tall, the sculpture is cut from marble. It has been praised for its excellent quality and condition despite being nearly three hundred years old.
Owning similar sculptures was very popular amongst the British aristocracy during the eighteenth century. Rysbrack’s sculpture is inspired by ancient Greek and Roman art, with ownership of the sculpture symbolising interest and knowledge of the Classical World.
The depiction of the ‘putti’ – childlike figures – is recognised to be of extraordinary artistic quality. At the time of the sculpture’s creation, new research and understanding of childhood development was changing attitudes to children in London society. Rysbrack himself became a governor of London’s Foundling Hospital, which cared for orphaned children.
Michael Rysbrack was born and trained in Antwerp, but is best known for his career in England. He was inspired by Classical art for many of the sculptures he created, including those he crafted for Westminster Abbey.
Culture Minister Baroness Twycross said
The incredible detail on this marble sculpture of two childlike figures demonstrates a remarkable mastery of the craft. The quality of the putti is a clear testament to why Michael Rysbrack’s sculptures were so highly sought after in the eighteenth century.
Today, we continue to appreciate world class art such as this. I hope that this export bar can help secure this sculpture for the public to enjoy.
Committee Member, Stuart Lochead said
Likely designed for Bedford House, London, this set of putti originally formed part of a monumental fireplace. Despite its scale, the carving is notably delicate the flesh and hair of the two figures are rendered with remarkable tenderness. The use of infant imagery marks a pivotal moment in Rysbrack’s career. Having recently been elected Governor of the Foundling Hospital in London, alongside William Hogarth, the sculptor’s work reflects on the changing attitudes toward childhood in early eighteenth-century Britain. Displayed in one of London’s most important houses, this refined marble group would represent a significant loss if exported.
This is the fourth temporary export bar issued since the start of the year by this Government. It follows attempts to protect an 18th century bust of John Gordon of Invergordon, a £9 million Baroque painting by Claude Lorrain, and an 18th century terracotta dog sculpture by groundbreaking female sculptor, Anne Damer.
The Minister’s decision follows the advice of the Reviewing Committee on the Export of Works of Art and Objects of Cultural Interest (RCEWA).
The Committee made its recommendation on the basis that the sculpture met the second and third Waverley criteria for its outstanding aesthetic importance and its outstanding significance to the study of the work of Rysbrack; sculpture in the 18th century in architectural and social history; and the representation of children in portraiture.
The decision on the export licence application for the sculpture will be deferred for a period ending on 5 May 2026 inclusive. At the end of the first deferral period owners will have a consideration period of 15 Business Days to consider any offer(s) to purchase the sculpture at the recommended price of £750,000 (plus VAT of £150,000 which can be reclaimed by an eligible institution). The second deferral period will commence following the signing of an Option Agreement and will last for four months.
Notes to editors
- Organisations or individuals interested in purchasing the sculpture should contact the RCEWA on 02072680534 or rcewa@artscouncil.org.uk.
- Details of the ITEM are as follows Michael Rysbrack, Antwerp, 1694 – London, 1770. Two putti supporting an architrave, c.1735-7. Marble, 131.3 cm high 131 cm wide
- Provenance Probably 4th Duke of Bedford, by descent to 5th Duke of Bedford; sold Christie’s, London, the Bedford House sale, 5 May 1800, lot 71, to 11th Duke of Norfolk; by descent to 12th, 13th, 14th, and 15th Dukes of Norfolk; offered for sale by the 15th Duke of Norfolk (Henry Fitzalan-Howard, 1847-1917) at the Arundel Castle sale, Sparks & Son, 14 and 15 April 1891, either lot 289 or lot 299 (‘two figures of boys, in bold relief, supporting richly carved cornice, statuary marble, 4ft 3in high; 3ft wide’ and ‘The companion ditto’); sold Christie’s, London, 1 December 1911, lot 85 (‘TWO PORTIONS OF A CHIMNEY-PIECE, of white marble, each sculpted in high relief with two children supporting a frieze—51 in high, 44 in. wide—Italian, 17th Century’), to Harding for £162-15s [=155 guineas]. Private collection UK before 1960; from whom purchased by the current owner in 1979.
- The Reviewing Committee on the Export of Works of Art and Objects of Cultural Interest is an independent body, serviced by Arts Council England (ACE), which advises the Secretary of State for Culture, Media and Sport on whether a cultural object, intended for export, is of national importance under specified criteria.
